![]() ![]() From Petrarchs Rime to Shakespeares Sonnets, the sequences share a Christian. Sonnets propose a problem in their opening section and. Thus one could regard the emotions evoked to be as artificial as the conventions with which they are presented. Petrarch and the English Sonnet Sequences. The sonnet (SAWN-it) is a fixed-verse 14-line poem that tends to follow a set rhyme scheme and meter. They were written following the form of the works of Petrarch, an Italian Renaissance. An exception is Edmund Spenser's Amoretti, where the wooing is successful, and the sequence ends with an Epithalamion, a marriage song.Īlthough many sonnet sequences at least pretend to be autobiographical, the genre became a very stylised one, and most sonnet sequences are better approached as attempts to create an erotic persona in which wit and originality plays with the artificiality of the genre. Sonnet sequences were written and well-received during the Renaissance. The subject is usually the speaker's unhappy love for a distant beloved, following the courtly love tradition of the troubadours, from whom the genre ultimately derived. ![]() ![]() Sonnet sequences are typically closely based on Petrarch, either closely emulating his example or working against it. A sonnet sequence is a group of sonnets thematically unified to create a long work, although generally, unlike the stanza, each sonnet so connected can also be read as a meaningful separate unit. PDF On Nov 1, 2010, Jay Rogoff published The Aesthetics of Contemporary Sonnet Sequences: The Examples of Salter and Muldoon Find, read and cite all the. ![]()
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